Kathleen Slavin's work became stronger after a dramatic vision change, a few years ago, that ...more
Title: Passageways - Mixed media on Terra skin, matted , framed 18x24" $500
Media:
The abstract work of Susan Lott expresses a fresh exploration of surface and texture unhindered ...more
Title: WINDY HILLS, ACRYLIC
Size: 12" X 36" (image cropped)
Media: Acrylic on Canvas
James Korpan is a sculptor working in both cast bronze and welded steel. Most of ...more
Title: Fire Owl, Realing Raptor, Fish - SOLD
Media: welded steel
Michael Brokop's creations of art are spiritual, emotional, and empowering pieces of work. He ...more
Title: 3 Masks
Susan Gosevitz is an award winning artist and an elected member of the Ontario Society ...more
Title: Muskoka Silhouette_24" x 48"
Size: 24" x 48"
Media: Acrylic on Canvas
Artists in Canada helps people who want to buy art and meet the artists that ...more
Title: Contact Artists in Canada about the work of our Premium Members
Rick Gallant's passion for art comes from an innate desire to capture the boundless beauty ...more
Title: Cyprus
Size: 22 x 30"
Media: Acrylic on canvas , Framed
Dwight Baird was born and raised in Huntingdon, Quebec, a small town southwest of Montreal, ...more
Title: Title - Movement in Twilight, Medium - Acrylic on wood panel Dimensions - 24” x
Size: 24in x 48in
Media: Acrylic on wood panel
Arnold Burrell painted for 5 decades and though he has passed away, Artists in Canada ...more
Title: A-4 Stark Abstract
Nik Semenoff is a world class preeminent printmaker, but his vast knowledge of the processes ...more
Title: A Flower for Sydney, Original Waterless Lithograph, 22x30"
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Announcing The Salt Spring National Art Prize's 2021/22 prize awards of $41,000!
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Biography
MARIE-EVE COTE BIOGRAPHY From 1992 - 1995, Marie-Ève Côté took Jazz Dance Lesson..
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Karen Phillips Curran
Karen's studio paintings are of calming riversides, tepid waters reflecting the land, clouds and sky. I use structure to speak of light and texture. Colour can run rampant on surfaces. My works generally are on paper or stretched canvas, but are sometimes on walls or floors. My many years of working for theatre taught me skills that intertwine even in my tiniest piece of art. I tend to work in series, the art of interpretation, taking an idea and running with it, re-creating it over and over until it reeks of itself, then is transformed.
For 17 seasons, I was Canada's National Arts Centre Head Scenic Painter. In that time I painted the sets designed by some of Canada's best set designers. The large scale, and the challenges associated with painting these sets, embedded a sense of the monumental in my work. Perfectionism is eschewed for readability and impact.
www.phillipscurran.ca
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