Abstract Environments
My art training began in 1976 when abstraction was all the rage. Printmaking, especially lithography, was the perfect medium for me to explore and manipulate the overt and subtle relationships that exist between form, colour, texture and movement within a visual framework.
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Monolith (1988)
Genesis (1988)
Foliage (1988)
Forest Light II (1988)
Oppression (1987)
Erosion (1987)
Red Fan (1987)
Sahel (1987)
Interactions (1987)
Transposition (1987)
In the Steppes (1986)
Protractor (1986)
Stromatolites and Gastropods: State III (1986)
Stromatolites and Gastropods: State I (1986)
Orchestration in Red (1986)
Tapestry: State III (1986)
Tapestry: State II (1986)
Tapestry: State I (1986)
Untitled: State I
Untitled: State III (1985)
Untitled: State II (1985)
Protractor II (1987)