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  • Drawing Fundamentals & Community with North Van Arts

    Location: North Vancouver, BC

    Register for North Van Arts' six-week Drawing Fundamentals and Community course with Artist/Instructor..
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  • Intermediate Acrylic Painting with North Van Arts

    Location: North Vancouver, BC

    Register for North Van Arts' four-week Intermediate Acrylic Painting course with Artist/Instructor Jeff..
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  • Art Rental Show at North Van Arts

    Location: North Vancouver, BC

    Come and visit CityScape Community Art Space to view the second installment of..
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  • All is True - #NorthVanArts Film Screening

    Location: North Vancouver, BC

    The North Van Arts International Film Series is presented by North Van Arts..
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  • Didukh Building Workshop

    Location: Edmonton, AB

    Learn how to make a didukh, a sheaf of grain traditionally prepared by..
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  • Vertep Building Workshop

    Location: Edmonton, AB

    In this workshop, you will create a Vertep (Christmas Manger) as your newest decor..
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  • Intermediate Oil Painting

    Location: Edmonton, AB

    Paint a rainy urban scene in oils while you stay comfortably indoors! Learn..
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  • From Around Ukraine in Stitches

    Location: Edmonton, AB

    This new series, a Technique Taster of Stitches, will introduce participants to embroidery..
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  • WANTED: WEBSITE DEVELOPER

    Location: Saskatoon, SK

    Wanted: Website Developer Artists in Canada is looking for a website / UI developer..
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  • IT'S NOT ME, IT'S YOU

    Location: Toronto, ON

    AWOL COLLECTIVE 20TH ANNIVERSARY SHOW, September 14-September 29, 2019, Saturday and Sunday 1-5 pm...
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  • Call for Art - 9th Annual

    Location: Palm Springs, CA

    Light Space & Time Online Art Gallery announces an art call for the..
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  • 5th Annual Leaves & Petals Art Competition

    Location: Palm Springs, CA

    Fusion Art invites submissions for the 5th Annual Leaves & Petals online art..
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  • Exaltation : Intangible Journeys of the Human Spirit: Nikola Wojewoda

    Location: Niagara on the lake, ON

    The Niagara Pumphouse Arts Centre presents Exaltation : Intangible Journeys of the Human..
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  • HUB @ 302

    Location: CALGARY, AB

    The Alberta Society of Artists invites all juried members, associate and non-members to..
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  • Open Call for 2020 exhibitions

    Location: Vernon, BC

    We are an artist run gallery seeking submissions from emerging artists for our..
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  • Beacon Original Art Fall Show & Sale

    Location: Calgary, AB

    Saturday October 19, 2019 from 10am - 4pm. Featuring more than 30 artists..
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  • Open Call:

    Location: Vancouver, BC

    The Federation of Canadian Artists (FCA) is having an open exhibition for members..
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  • Open Call: All 10

    Location: Vancouver, BC

    Calling all Canadian Artists! This is an open submission call for a lightly..
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  • Earth

    Location: CALGARY, AB

    The Alberta Society of Artists invites all Juried, Life, Student, Associate Members and..
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  • Reza Rezaï / Mehmoon

    Location: Calgary, AB

    TRUCK Contemporary Art is pleased to present Mehmoon by Reza Rezaï. Through the..
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  • Outside, In

    Location: Lethbridge, AB

    Opening reception September 28th 7-9pm for the Allied Art Council's Gallery Stroll! OUTSIDE,..
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  • National Oil and Acrylic Painters Society 2019 Fall Online International Exhibition

    Location: Windsor, ON

    The National Oil & Acrylic Painters’ Society (NOAPS) invites oil and acrylic painters..
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  • “Motion” International Call - Art & Literature Journal - Deadline October 31, 2019

    Location: Toronto, ON

    | Theme: Moving or being moved. Shifting, stirring, changing places. The rise and..
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  • Beaver Sheppard: Solo Exhibition

    Location: Montreal, QC

    Archive Contemporary presents a comprehensive solo exhibition of Beaver Sheppard’s artistic canon, for..
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  • ANCESTRAL MINDSCAPES

    Location: Toronto, ON

    Ancestral Mindscapes is an autobiographical collaboration using video, sound and photography to explore..
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  • Clay Tile Workshop

    Location: Edmonton, AB

    Participants will be working with clay to hand-build tiles using a variety of..
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  • Edible and Medicinal Gardening Lecture

    Location: Edmonton, AB

    Ukrainian settlers brought with them a wide range of traditional knowledge and practices,..
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  • Acrylic Painting for Beginners

    Location: Edmonton, AB

    Do you want to create a bright & beautiful acrylic landscape in one..
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  • New Craft Coalition: Call to Artists

    Location: Calgary, AB

    New Craft Coalition, invites applications from all mid-career and professional artists to be..
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  • Invisible by PAINTER8

    Location: Edmonton, AB

    Please join us at PAINTER8, and other Edmonton art lovers alike, for the..
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  • 19th Annual Stouffville Studio Tour

    Location: Town of Whitchurch-Stouffville, ON

    The 19th Annual Stouffville Studio Tour is an event you don’t want to..
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  • Wheat Centrepiece Workshop

    Location: Edmonton, AB

    Join this class to learn how to make a didukh-style centrepiece that can..
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  • LOOK AGAIN!

    Location: Saskatoon, SK

    LOOK AGAIN! PAINTINGS BY KATHLEEN SLAVIN AND GAIL PRPICK AT UNIVERSITY..
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  • Figureworks 2019

    Location: Ottawa, ON

    Figureworks 2019 Call for Artists The call for submissions to the 10th annual juried..
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  • Quasi-Nature

    Location: Montreal, QC

    Archive Contemporary Art Gallery is pleased to present Quasi-Nature, a group exhibition curated..
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  • National Oil and Acrylic Painters Society 2019 Fall Online International Exhibition

    Location: Windsor, ON

    The National Oil & Acrylic Painters’ Society (NOAPS) invites oil and acrylic painters..
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  • Unsettling Nature

    Location: Toronto, ON

    An Exhibition at: The Garage Gallery Benmiller with Artists Jill Price, Leslie Putnam, Morag Webster..
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  • Through the Eyes of a Child

    Location: CALGARY, AB

    Artists Statement: Ed Flanagan My wife had a career as an elementary school..
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  • Exposition solo Lac-Mégantic

    Location: Lac-Mégantic, QC

    L'eau, une mine d'Art du 8 juillet au 8 septembre 2019..
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  • Sustainable Fashion Designer Looking for Studio Space in Mississauga

    Location: Mississauga, ON

    Hi, I'm Amanda, I am an emerging fashion designer starting my business designing..
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Printmaking (Series 18 of 21) - Using Positive plates in the waterless process

By Nik Semenoff October 4, 2004

} Using Positive plates in the waterless process Printmaking Series - Part 18 of 21 By Nik Semenoff The use of photographic techniques has become common amongst printmaking today. The simplest approach is the use of positive plates exposed to positives created photographically or drawn with opaque material. Collaborative printers prefer this method as they do not lose an edition if a color plate fails during printing; another can be burned from the transparency. Early in my research I discovered that any of the commercial plates I encountered could be turned into effective waterless litho plates by replacing the gum etch with silicone. The cost of commercial plates made me look at finding a method of producing my own positive supply and I have been using them for most of my editions. Toray waterless plates are the only one available commercially, but these are too expensive for most printmakers. I suggest that any of the common positive plates can be the best use of this technique. Do not purchase the gum finishing solution as it is not needed; just buy the developer for the brand you get. A good point source of light and a vacuum frame are needed for serious work. I strongly recommend a hole punch and registration pins for accurate registration. While commercial punches are very expensive, one can be made up from paper punches from a stationary store - but that is another article. Follow the exposure recommendations of the manufacturer, giving the plate the full exposure to eliminate any background tint. Make sure your positive artwork transparency has an opaque image; otherwise you cannot get the entire tonal range of the drawing. Develop the plate with a soft pad made of "fun fur" bonded to a piece of wood with contact adhesive. After washing off the plate let it dry and coat it with diluted silicone. The image is washed out with acetone mixed with about 5% brake fluid, which retards rapid evaporation. Printing the edition is the same as for other waterless lithography. An interesting variation on using positive plates is the ability to add a drawing to the developed plate before the silicone is applied. One can combine photographs and drawings in this way. For the many colors and plates that I use in my editions, I could not afford commercial positive plates and so developed a method of making my own with recycled plates and diluted screen emulsion. But this is also another story. One can use negative working plates as well, starting with HC line or halftone negatives. Again only the developer for the plate is used as silicone replaces the gum/asphaltum finishing solution. On some negative plates I encountered, the image would not washout completely, leaving the black developer lacquer; but acetone and retarder removed the silicone from the surface of the image and the plates print perfectly. Using positive and negative plates can make a big difference in the type of image an artist produces. This is another example of printmakers borrowing from the commercial printing industry. ________________________________________________ Copyright © 2004 Nik Semenoff Nik Semenoff Artist-in-residence University of Saskatchewan Visit Nik Semenoff's website at duke.usask.ca/~semenoff/ for more information.